From Erasmus to Erasmus+: A story of 30 Years

It was as Animation Supervisors that we worked on these movies for the promotion of “Erasmus+” exchanges programs : From Erasmus to Erasmus+: A story of 30 Years. It has been produced by Latcho Drom, directed by Gil Bauwens and illustrated by 13pulsions, Soba and Cartoonbase, for ICF Mostra agency.

tina-01
ruth-01
martina-01
mina-01
roberto-01
ruth-02
roberto-02
mina-02
tina-02
martina-02

The series has been rewarded by a Silver Dolphin at Cannes Corporate Media Awards.

https://ec.europa.eu/programmes/erasmus-plus/news/erasmus-30th-anniversary-videos-win-award-cannes_en

 

Posted in LAB

Le Tout Nouveau Testament – VFX

“The Brand New testament” is the latest long feature film by belgian director Jaco Van Dormael.

God lives in an apartment in Brussels which he shares with his meek wife and his 10-year-old daughter Ea, to whom he is emotionally and physically abusive. She decides to rebel against her father. She steals the key to His office, accesses the scheduled dates of death of every human in the world and releases the information to them via their portable telephones.

It is to create and animate those 6 billions messages that VFX supervisor Emilien Lazaron called us.

It was an honour, as fan of Jaco’s movies, to get on board and create those messages that had some important narrative role !

Messages and countdowns design, animation and compositing by REANIMATION
VFX : Digital Graphics

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Les origines de Fontevraud – Bande son

LES ORIGINES DE FONTEVRAUD est un court-métrage animé commandé par l’abbaye de Fontevraud (France).
Le film est projeté dans l’abbaye, comme introduction à la visite de la crypte de l’église.


Pour voir le court-métrage, c’est ici : 


La talentueuse
Eve Deroeck s’est occupée de l’animation et de la réalisation, et nous a confié la supervision sonore et musicale du projet.

LES ORIGINES DE FONTEVRAUD est le premier projet entièrement créé/interprété/enregistré/mixé au studio musical de REANIMATION, par Yann Deval, Balir Ben Amor et JP Dassonville.

La composition musicale a été étroitement liée à l’animation du film, l’une influençant l’autre…
Le premier jet musical a été conçu sur l’animatic du film, puis Eve a animé chaque plan en collant au plus proche de cette maquette musicale.
Enfin, nous avons réalisés les enregistrements finaux des instruments sur le montage définitif.

Nous avons essayé d’éviter les clichés autour de l’abbaye (chants grégoriens), cherchant plutôt à accentuer l’aspect ludique de l’animation par l’utilisation d’instruments décalés (scie musicale, accordéon, percussions…).

La composition est construite autour de trois voix de cors qui s’enchevêtrent pour donner un ton épique à la construction de l’abbaye.

Tous les instruments ont été joués sur des instruments acoustiques par des musiciens :
scie musicale, glockenspiele, cors, buk, castagnes, rattle, vibraslap et percussions diverses, basse électrique, guitare classique, accordéon… (à l’exception du grand-orgue et des marimbas, joués via des plugins VST).

 

Director/Animation: Eve Deroeck
Music/Sound: Yann Deval, Balir Ben Amor, JP Dassonville
Mastering: Miloud Sassi
Production: Abbaye de Fontevraud
Year: 2016

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R//005 – Speechless

The R // videos are a testing ground for experimentations of new techniques (and ancient too),
following a constraint or theme.
This time, we had to deal with two constraints: the theme « Speechless », and a single day of production. Enjoy!
Animation, design & music by REANIMATION

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R // 004 : Bâchez la queue du wagon taxi avec les pyjamas du fakir

The R // videos are signed by each of the reanimators independently.
They’re a testing ground for experimentations of new techniques (and ancient too),
following a constraint or theme.

This time, we had to deal with three constraints: using the MIDI data contained in the music file, a « cadavre exquis » process between the four reanimateurs, and a single day of production. Enjoy!
Animation, design & music by REANIMATION.

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R // 003 : (De)structured Landscapes

The R // videos are signed by each of the reanimators independently.
They’re a testing ground for experimentations of new techniques (and ancient too),
with only one constraint or theme.

This time, we had to deal with two constraints: the (De)structured Landscapes theme, and a single day of production. Enjoy!

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KIT DE REANIMATION : Magna Animated Typeface

This summer, our opening title sequence for France televisions’ Hôtel de la plage was aired.
For this work, we originaly created an animated version of Hendrick Rolandez’s Magna Typeface.

Magna animated typeface

Unfortunately, we had to remove it from the final version of the sequence, but you know…

…this was a looooot of work and… … well you know…

… we love to share stuff !

So here it is, all cute, all animated, all free !

Download the Kit !

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KIT DE REANIMATION : Pigeon wing rig

If you need to animate a wing. A pigeon wing for instance. Maybe you’re animating a movie with two pigeon lovers hugging each other. Who knows…

Pigeon Rig

Well if you ever need to do that, we have tought about you! And we give away, freely as usual, a beautiful pigeon wing rig!

All prepared for Adobe After Effects CS6 and CC, it can be animated, feather by feather, in 2.5D space, with only 4 controllers !

Download the Kit !

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